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Great Performances: Passing Strange – Viewer Discretion Is Advised. This program's content may not be suitable for all viewers. – – Spike Lee-Directed Film of 2008 Rock Musical Broadway Production That Won Tony for “Best Book of a Musical” –
“Passing Strange,” created by singer-songwriter Stew with Heidi Rodewald and Annie Dorsen is the semi-autobiographical story of a young black man who leaves behind his middle-class, church-ruled upbringing in mid-1970s Los Angeles to travel to Europe in search of his artistic and personal identity, or what he calls “the real.” There, he finds he can exploit a “South Central” persona, playing the cool, black expatriate musician who speaks for his people. Picaresque misadventures with sex, drugs, politics and art find him in a far-out Amsterdam and a hyper-militant Berlin. But in the end, he discovers that cultural complexity — and hypocrisy — are not limited to middle-class African-American life, and that while art to him may be more real than life, only love is truly more than real. Co-starring with Stew as “Narrator” is an extraordinarily talented ensemble cast featuring DeAdre Aziza, Eisa Davis, Colman Domingo, Chad Goodridge, Rebecca Naomi Jones and Daniel Breaker as the story’s central character, “Youth.” The Broadway production won a 2008 Tony Award for “Best Book of a Musical” and in total received seven Tony nominations, including “Best Musical.” The show also won a Drama Desk Award, a New York Drama Critics’ Circle Award and two Obie Awards. The highly acclaimed score does not stand apart from the action as in some rock musicals, but advances the narrative through a sophisticated libretto. Charles Isherwood of The New York Times raved, “Passing Strange is bursting at the seams with melodic songs, and it features a handful of theatrical performances to treasure. Call it a rock concert with a story to tell, trimmed with a lot of great jokes. Or call it a sprawling work of performance art, complete with angry rants and scary drag queens. Call it whatever you want, really. I’ll just call it wonderful.”
Lee, working with cinematographer Matthew Libatique (Miracle at St. Anna, Iron Man, Inside Man) shot two performances of the Broadway show before its close, including the final performance. Lee then filmed the production without the audience, enabling dynamic close-ups, dolly shots, crane shots and other cinematic coverage. Lee’s long-time editor, Barry Brown, edited the final film. Visit the website at www.pbs.org/wnet/gperf.
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