Follow award-winning director/choreographer Bill T. Jones’s intense creative journey as he leads his company in the creation of Fondly Do We Hope ... Fervently Do We Pray, an original dance-theater piece in honor of Abraham Lincoln’s bicentennial. “Bill T. Jones: A Good Man” is a co-production of A Good Man Film LLC, Kartemquin Films, Independent Television Service (ITVS), THIRTEEN’s American Masters for WNET, and Media Process Group, with the cooperation of the Ravinia Festival. The evening’s presentation is in collaboration with PBS member station WTTW.
Through two tumultuous years, witness raw moments of frustration as Jones struggles to communicate his vision to his dancers and collaborators, as well as moments of great exhilaration when movement transcends the limitation of words. Jones and his company come face-to-face with America’s unresolved contradictions about race, equality and the legacy of our 16th President. Initially an indictment of “The Great Emancipator,” the work evolves into a triumph of hope for our struggling democracy, with Jones revealing that Lincoln was “the only white man I was allowed to love unconditionally.”
Throughout the film Jones explains how his childhood, artistic journey, personal feelings about Lincoln, and current emotional and physical condition affect the piece’s direction and development. Bill T. Jones: A Good Man also features interviews with dancers, musicians, crew, and staff from the Bill T. Jones/Arnie Zane Dance Company, including Executive Director Jean Davidson, Associate Artistic Director Janet Wong, Producing Director Bob Bursey, and Creative Director/Set Designer Bjorn G. Amelan, as well as Welz Kauffman, CEO and president of Ravinia Festival. Fondly Do We Hope…Fervently Do We Pray premiered at Ravinia Festival in Highland Park, Illinois, on September 17, 2009. The film features performances from the Ravinia premiere and rehearsals at the New 42nd Street Studios in New York City, along with production, writing and research sessions, including an emotional viewing of Lincoln’s personal effects at the Abraham Lincoln Presidential Library.Archival performances include Still/Here (1994), Last Supper at Uncle Tom’s Cabin/The Promised Land (1990) and Jones’s collaborations with his late partner Arnie Zane in Valley Cottage (1980), Blauvelt Mountain(1980) and Monkey Run Road(1979).
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